Showing posts with label Western Novel. Show all posts
Showing posts with label Western Novel. Show all posts

Tuesday, May 22, 2012

Write Your Own Story


Excerpt from

Son of a Gun
by
Marty Halverson


“There was a man ... my daddy’s voice was as soft and low as a lullaby—would break the heart of Lucifer himself to hear him and Ma sing harmony.” Leo told her then about his sisters, Josey’s harmonica and Nataki . . . “she said our music would make the angels weep.”

“What’d you do?” Ruby asked, picturing the scene.

“Strummed. I got a guitar. We sang all the old Kentucky songs to the Texas wilderness to while away the summertime darkness.” He told her about watching the lightning chain at eight years old, when they first settled the ranch. “Nothing but the wind and the rain to argue with,” he said. Lost in his own memories, Leo went on, “After Ma died of the measles, just before my daddy followed her, he said, ‘I tell you boys, if either of you remember how your ma taught you how to pray, get down on your kneebones this night and tell Him up yonder you’re beholden for the life he give us.’”

Chagrined at his rambling, Leo rolled over and looked at Ruby. “I oughta’ save part of my breath for breathing.” He was talking to her as he’d talked to no one in years.

“You’re good company, Leo Barlow.”

"Guess if you're going to spend your whole life with yourself you need to learn to be good company."

Memoir is my favorite kind of writing, so t
here are a lot of memories tucked in my novel of the old west. Using fiction, I tried to capture emotions that were genuine. I've never lived in Texas, nobody in my family played a harmonica, and ma didn't die of the measles, but I remember summer nights listening to my daddy sing, listening to my mama pray. I remember the joy of pouring those memories out to Dee like sweet syrup, introducing him to the girl I'd been. And I remember learning to enjoy my own company. The story behind this story is true.

It's time to write your own memoir.
How would you tell a story from your childhood?
Get it ready for the campfire—summer nights are coming!


(It's the new season of The Write Stuff Workshops!)



Monday, November 7, 2011

Office Tour

"I'll see you in my office now."

This is where I spend my time.

Writing on the Wall

On one side of my office is my library. Reading, writing and research books, stories for the grands, old letters, maps and travel books (stashed in the suitcases) and file boxes along the bottom with tons of family history info.

Office Suite-y

You've already seen my computer.

My Bibles

If I turn my chair the other way I'm facing my work table. Between the bookends are resources I need at my fingertips. The loose leaf holds research I've done for my work in progress, aka The Widow's Waltz. It's a great example of my new catchphrase, "Planning is the enemy of finishing."

Since last November I've compiled almost three hundred pages outlining setting (Vienna, just before World War II) plot (American businessman is murdered) and character back-story (based on real letters) but not a sentence of the actual book. It's time to stop planning, so I can start finishing.


Editor's Desk

But I have finished a couple of big editing projects recently. Right now I'm working on a manuscript by a surgeon who served several tours of duty in Afghanistan. It's serious and funny—a little like Hawkeye's life on MASH.

Office Accessories

Little details: I use my pewter collection to hold office supplies. The IKEA Lazy Susan gives me instant access to red pens, blue pencils, scissors, chapstick and my back-scratcher. It suddenly seemed nutty that these pretty pieces were hidden away in a cupboard. What was I saving them for??

Check books

Here's my bill paying station. I chucked my ugly brown accordion folder and now I stash the bills that need attention in one fake book, and the others hold receipts, stamps and envelopes.

File It

These space-saving filing cabinets came from TJ Maxx. Since the folders are on display, I bought a package of cute blue ones to match my decor, and put them in front. They hold everything—address labels, greeting cards, newspaper clippings and blog ideas.

Inspiration Board

When I was packing up my stuff to move, I found some handmade paper we bought in Italy ten years ago. Apparently I was saving it. For what? So I cut it up into squares and used it to line a bulletin board. Postcards and old calendar pictures of women reading and writing inspire me.

Scraps

A rusted, yellow mailbox begged for old letters, but the slots were too deep for my stationery. I cut some scrapbook paper up and taped a few pieces together so they'd be exactly the right size, and then stuck on some vintage-looking stamp stickers to make them look authentic. Old postcards added color.

Anything for me?

Voila! A cool in-and-out box for my desk. (I stash the real letters-to-be-mailed behind the fake ones—a check being sent to the phone company doesn't seem as cute.)

Speaking of letters . . . Nancy emailed these questions:

"How do you preserve what you've written, photos and all?
Do you have a backup system for memoirs?"


Actually, my blog is my backup system. A few years ago I accidentally deleted my archive of photos. The pictures I had used on my blog were the only ones I could find again, because they were floating around the Internet. That's why I've written a lot of my memoirs on my blog—I can access those memories from anywhere, anytime. (And so can all my descendants who can't wait to read every word Great-grandma Oma ever wrote.)

So, how do you preserve what you've written?

I loved your comments about why you blog. Now you need to write about where you blog. Leave a comment and we'll come over and tour your office.


Congratulations to Grandma Cebe!
(She won a copy of my book!)








Wednesday, November 2, 2011

Ten Reasons to Blog

Here's where I blog.

I've been asking myself—why do I blog? TravelinOma is five years old next week, and this is my 5,000th post! Each post takes me at least two hours to write, so that's over 10,000 hours I've spent working on this little hobby—not counting all the prepping, designing and linking. Since I don't have ads, there's no money-making involved. So is blogging worth it?

Ten Ways Blogging Has Paid Off For Me
  1. Blogging introduced me to one of the great loves of my life—Mac. You can read about him in a post I called An Affair to Remember.
  2. Blogging is it's own reward—I'm becoming a better writer. I've got three shelves of books on writing that I'm always studying, and I use my blog to practice the techniques I'm reading about. Looking back at my early posts, I see improvement, and that's satisfying to me.
  3. Because of my blog I take more pictures, download them that day (in case I want to use them on a post) and label them immediately so they're easy to find.
  4. All my old photos are now organized in iPhoto. At first I was searching through boxes and scrapbooks for pictures to use on posts, so I started scanning them in and making digital albums, labeling them with names and dates. (Another bonus from blogging.)
  5. I learned how to scan—and create files to store scans in. And color code my files. Initially it was just for my blog, but my eyes were opened to a world of possibilities. (You have to remember I was raised during the Dewey Decimal decades, and this is all new to me.)
  6. I learned to cut and paste, and then to copy and bookmark and explore icons, which taught me to add images and make italics, and change fonts. That gave me confidence to try other writing programs like Pages and Scrivener. Now I can create my own templates for newsletters—and novels!
  7. I haven't even mentioned what I've learned from your blogs. You find humor in the mundane and miserable moments, and you relish the joyful ones. Reading what you write encourages me, and I feel refreshed by dipping into your day. (Even though I hardly ever comment anymore.)
  8. When something interesting pokes my mind, I think, "Blog." It's a great motivation for research. I wrote about Anne Frank once, and that post alone has had 51,000 hits!
  9. Blogging has given me a new outlet. Even the bleakest of days can turn into a memorable post.
  10. Finally, I love blogging! At the beginning of my blogging career the prevailing attitude (of non-bloggers) was that it was a waste of time. I felt defensive. One of my most popular posts is called Wear Your Paper Bag With Pride, and after I wrote it, I settled into my blogging grove—with pride.
"When I sit down at my writing desk, time seems to vanish.
I think it's a wonderful way to spend one's life."

—Erica Jong

How long have you been blogging?

Leave a comment before Saturday November 5th at midnight,
and you'll be entered to win a copy of my book!

Buy it here!






Friday, October 28, 2011

Sibling Relationships

Cowboy Brothers

I love writing about family relationships. In Son of a Gun some of my favorite scenes explored the relationship of two stepbrothers. This excerpt depicts how young teenage boys show affection. I based it on the interaction between my own sons as they were growing up.

Son of a Gun
by
Marty Halverson

“You lowdown mavericker! You thievin’ my cattle, agin, boy?” With a whoop, JJ leaped on the back of his brother’s horse, attacking MJ in a Texas wrestle. They had the common knowledge that they were tough, but who was toughest on a given day depended on who could pin who.

Sliding to the ground, MJ had trouble putting down his younger brother, and might never have made it if Trespass hadn’t leaped in and begun licking JJ’s face and nipping him in the side til he hit his ticklebone. That got JJ to giggling so hard he couldn’t fight, and MJ was glad to press the boy’s shoulders flat into the dirt of the trail and quit while he could.

They got up, knocking the dust and twigs off themselves to cover the awkward spell that was bound to set in when big boys had carried on too catnippy for their ages. As always, it was JJ who got to talking first. As they walked toward the barn with Trespass yapping at their feet and pawing for attention, he babbled a blue-tailed streak, as if they’d been separated for a month instead of just a few days.

“Ain’t you had nobody to talk to, Jage?" MJ asked. "That cowlicked filly a’ yours stopped listening to your chatter?” JJ faked a scowl but went right on jabbering, letting his brother lap up the family news.
It's fascinating to create characters—they actually come to life! As I got to know these brothers, I loved the relationship they had.

Do you have young sons, brothers or nephews?
I'd love to hear your observations about how boys show affection for each other.
How is it different from girls?

Leave a comment!







Tuesday, October 25, 2011

Son of a Gun!

Ruby Barlow, heroine

"Please release me . . ." Ruby cried. And they did!
Tate Publishing released my book today. I'm a novelist!

(It's available on Amazon!)

"You can quit staring," Ruby told the cowboy. "I've known men like you, and I'm not interested." Her voice was kept low, but she had no shyness about her.

Jack tipped back in his chair and ogled her. "You've known men like me? What are you . . . about fifteen? Too young to be so sour on love." He reached out and grabbed her around the waist. "Some schoolboy pull your ponytail too hard?"

"Laws! I'm eighteen, and I can rope a calf and break a colt better than any schoolboy. I support a household and work a farm, so don't toy with me, mister." She refilled his coffee cup and twisted away from his grasp. "Aren't you that pile of dust and whiskers with the red mare? That horse won't know you, all spiffed and shiny."

Left alone to raise Jack's son, Ruby is rescued from life as a soiled dove by a young widower who sees past her desperate bravado and recognizes courage. Together they face a devastating grasshopper plague, a tornado, fire and persecution while raising two young sons on the Texas plains. When a murder takes place on their ranch, the Barlow family is almost torn apart.

Meticulously researched and historically accurate, Son of a Gun shows how values of the Old West are still important today.
OK.
I'll give you a second to order your copy.
(Click here)

Now you're all invited over to my brand-new website to celebrate:
martyhalverson.com

Bring your friends!


Click here for excerpts from Son of a Gun.




Friday, August 5, 2011

My Book: Son of a Gun


You can pre-order my book! I am over the moon!
Click here to see it—or buy it!

The Story Behind the Story

On New Year's Day, 2010, my Uncle Mel went into the hospital to get new knees for his 86th birthday. Instead, they gave him a staph infection, and he took up residence there for over a month. Uncle Mel has very poor eyesight, but he can see stories inside his head. He entertained the doctors and nurses with tales he spun from experiences he'd had with people he'd known (who were real characters!)

On March 5, 2010 he called me from Nevada. "Marty Ann," he said, "I've got a story in my mind. Do you think you could turn it into a book?"

Five days later I received a digital recorder with his ideas locked inside. It took a few days to get it transcribed into fourteen pages of text, and on March 15th I read Son of a Gun for the first time. A western, complete with gunfights, saloons, love scenes and fallen women, it was set in Texas a few years after the Civil War. Uncle Mel came up with the main characters: Jack, Indian Joe, Ruby, Sam, Leo, JJ, MJ and Big Red. The plot was roughly outlined with details that didn't hang together, and there was no ending. It was like having a list of random spelling words with the assignment of fitting them all into a story. I didn't know where to start.

I'd done a lot of historical writing but not historical fiction. My challenge was to get familiar with a new computer program to help me organize, study up on the American West and find out what Texas looks, feels and smells like. The children's section of the library is a great starting place to learn geography and history quickly. I read every book they had on Texas. Then I checked out books on horses, saloons, soiled doves, and guns. Real life research was going on, too: my son-in-law took me shooting, I explored a pioneer village, and a local smoke-shop owner taught me how to roll a cigarette!

Uncle Mel and I talked almost every day, and we thickened the plot. I began to picture the setting; his characters came alive and introduced me to new characters. As I wrote their dialogue, they told me in their own words what happened and how—writing a novel is an incredible experience!

Six months to the day, September 15, 2010, I sent Uncle Mel his manuscript. That night I emailed a pdf to Tate Publishing on a whim. Within a week I got a thumbs up from both of them!

Writing a novel is only half the job of publishing a novel. These are some of the post-writing steps:
  1. Copyediting
  2. Conceptual Editing
  3. First Edit
  4. Proof
  5. Final Draft
  6. Cover Design
  7. Final Proof
  8. Marketing
There are other little chores, like acknowledgments, bio, dedication, back cover matter, design, layout, color choices, etc. Luckily, all the folks at Tate Publishing know what they're doing and moved me from department to department without a hitch. I've now worked with several people and they've all been encouraging and supportive. It's been more work than I expected, but more fun than I expected, too.

The book releases to bookstores on Oct 28, 2011, but it's being pre-sold by the publisher at the same price. It's also available as an e-book!

Now comes the scariest part—someone will read it!


A fictional Marty Ann Halverson writing fiction.

“For those who can do it and who keep their nerve,
writing for a living still beats most real, grown-up jobs hands down.”
—Terence Blacker




Thursday, June 2, 2011

Writing Workshop: Show, Don't Tell


Turk tilted his chair against the kitchen wall, scratched his middle-aged paunch, and felt the warmth of the late summer sun on his gnarled and flaming knuckles. It had been a fine Saturday morning until this crazy woman he worked for announced another out and out war with Sam Lester. “It’s like spittin' in the man’s face,” he told Ruby. “He’ll have to spit back, and Sam has got breath like a double-seater."Son of a Gun by Marty Halverson
  How much do you learn about Turk from this paragraph?

Turk was my favorite character when I wrote Son of a Gun. He was going to be just a walk-on, Ruby's boss, but the more I wrote about him, the more he told me about himself. I saw him bake sourdough for the cowboys on a cattle drive, pick his teeth after dinner, develop a paternal crush on Ruby—he grew on me.


After listening to his tall-tales, lounging by a crackling fire, with the aroma of horses and steaming coffee nearby, I couldn't hurt his feelings by not including them. So I let him tell the stories to the little boys, and even my editor couldn't cut them out.

James N. Frey wrote, "If, after you have created your characters you do not see them in your mind's eye walking, talking, breathing, perspiring . . . put them on the couch and start asking them questions. By the time you've thoroughly interviewed your character he should have become like a dear friend or a hated enemy. Once you feel that close, you should be confident working with him."

Introducing a character and then allowing her to be observed is the best technique, whether you're creating an imaginary friend for a book, fleshing out a kindergarten teacher for a memoir, or discovering yourself for your blog. Instead of telling readers what to think ("he's sixty, overweight and has arthritis") show them ("Turk scratched his middle-aged paunch and felt the sun warm his gnarled and flaming knuckles.") Let them draw their own conclusions. Remember trying to convince your dad that your boyfriend was a hard worker? It wasn't as effective as the time he helped your dad move. Suddenly your dad was saying, "Hang onto him. He's a hard worker!" That's the difference between telling and showing.

Try it. List three of your own traits. Now use those traits to describe yourself, without using the actual words. "He lifted her chin, but she wouldn't look him in the eye after her outburst." Did you guess that she was short, stubborn and emotional

Show, Don't Tell assignment: 
 Leave your description in a comment. The next person guesses the three characteristics, and then writes a sentence about themselves.  

Come on—show us what a character you are!
 








Thursday, May 26, 2011

Cover Story: Son of a Gun

Son of a Gun

Ten Ways to Judge a Book by its Cover
  1. The spine stands out with an arresting color and compelling lettering.
  2. The overall design captures the personality of the book.
  3. Images tell part of the story.
  4. The title pops off the background and is large enough to read from a distance.
  5. It must convert well to black and white for one color advertising.
  6. A tiny image on the Internet must show up.
  7. The font suggests the time period, setting or genre of the book.
  8. Fewer words in the title are better.
  9. Colors work to suggest a mood (dramatic, antique, stark, modern, scary.)
  10. Consider: would you pick this book up if you saw it on a Barnes and Noble display table?
Three things not to do:
  1. Colored title on a black background—it won't show up in black & white.
  2. A detailed picture of a character—let the reader's imagination supply that.
  3. Meaningless clutter—focus on a strong theme.
"Readers will only give a book a few seconds of consideration. It must wrench their attention away from thousands of other volumes . . . In a bookstore, most books are shelved spine out, so this narrow strip is your first sales tool. Next, book browsers look at the book's front. Your cover is your billboard. If it interests them, they'll turn to the back. If they're still intrigued, the first few sentences will receive their consideration."

There's so much more to publishing a book than just writing it!


Does the title show up in black and white?



Will the tiny image on Amazon catch anyone's attention?

With several choices, some direction from Kenna (head of the cover design department of Tate Publishing) and input from Mark (my marketing guru) Son of a Gun is getting dressed up for its debut on the shelves. I'm thrilled with its cover story!

How do you decide to buy a book?








Thursday, March 31, 2011

I Love Stories


"Writing a first novel takes so much effort,
with such little promise of result or reward,
that it must necessarily be a labor of love
bordering on madness."
—Steven Saylor

The final edit of my novel arrived today from the publisher. Word by word, comma by comma, I'm going through and signing off. Son of a Gun takes place in Texas around 1874 and I've incorporated many actual events into the story. Here's an excerpt that might make your skin crawl.

Son of a Gun
by
Marty Halverson

“Damn cataracts,” Turk said to Leo, rubbing silvery spots from his eyes. Against the blue sky they multiplied and began dropping to the earth. “Hoppers!”

The insects fell like giant snowflakes, crawling over the fields in a solid body, eating every green thing growing. Almost immediately the hillside looked like a waterfall, the hoppers were so thick. When they had eaten the fields bare, they piled on fence posts and ate the bark. They ate harnesses, window curtains, hoe handles and even each other. Leo tied strings around his trouser bottoms to keep the pests from crawling up and biting his legs. Lighting on trees, the hoards broke limbs under their weight.

The beating of wings on the roof terrified the boys who screamed as the creatures writhed through their hair and down their shirts. Ruby tried to secure the house, smashing them with a broom after shaking them out of the bedding. Turk spread gunnysacks over the precious vegetable patch, but the grasshoppers ate right through.

The men dug trenches to bury the critters, and lit fires to burn them out, but the flames were covered and smothered by more grasshoppers piling a foot deep. Horses stood helplessly as the pests crawled over their bodies, tickling their ears, eyes and nostrils. Fresh water was polluted by the bugs, and the cows and chickens that gorged on the hoppers would be useless as food, as would fish in the streams because they would smell and taste like grasshoppers.

Word came from Fort Worth that a dark cloud of grasshoppers landed on the tracks and stopped the trains; grease from the crushed insects set locomotive wheels spinning.


The Grasshopper Plague of 1874 affected the colored areas on the map. My own great-great grandfather, Andrew Jackson Allen, wrote about a similar plague in Utah:

May 7, 1848:

We commenced making water ditches for irrigation which were a new business to us. The spring grain sprung up and looked quite good. The next thing we see was thousands of young crickets making their appearance in every direction. We discovered they were eating at the young growing wheat and gardens. We began to destroy them in every way we could, but all in vain. It really seemed as though the more we killed, the more came.

May 20, 1848:

Those crickets had been eating at the wheat for weeks, our efforts to kill them all in vain. Just now seagulls came in flocks by the thousands and began to eat the crickets. They would cover the fields and fill themselves and then they would fly to the water and drink, then they would vomit them up and go again and fill up again. They seemed to repeat this time after time after time, and soon they destroyed the crickets in a great measure. We attributed this miracle to the hand of the Lord in our behalf. If those gulls had not destroyed them, the crickets would have destroyed all the growing crops among this people.



Truth is stranger than fiction.


Now it's your turn:
Any miracles in your family?
Turn them into a story!





Monday, March 14, 2011

What If You'd Married What's-His-Name?

Mary Engelbreit

An excerpt from
Son of a Gun
by
Marty Halverson

Ruby sat by the window and considered her reflection in the September twilight.
Streaks of sunset polished her skin, and caught her hair on fire. Where would she be tonight if not for Leo?
Leo lived in that rare grace of self that could keep his identity in tact through any ordeal. He did not depend on outward props to shore himself up; heartache, circumstance and violence could not eradicate the moral, gentle habits of his upbringing. Jack had been a mirage. Leo had been a well, hardly visible from a distance but with the depth and purity to restore her. Ruby hardly ever thought of those ugly days anymore. Leo had broken off that part of her life like he would the wormy end of a piece of corn. When it was gone, it was forgotten and he just saw the golden, fresh promise she held inside.

Admit it: old What's-His-Name was just a mirage. Think of one word that describes what you missed out on by dumping him. I'll go first: TROUBLE.

What five words describe the life you have (or the life you want) with your true love. I'll go first:
  1. Fun
  2. Unique
  3. Educational
  4. Intriguing
  5. Memorable
Aren't you relieved you didn't end up with a dork?:


Now it's your turn~

Write down why you're glad you're with the guy you're with. Someday in the future someone will want to know. (And someday in the present, you might need a reminder, yourself!) I've written many such love letters; click here for one of my favorites.




Wednesday, March 2, 2011

Son of a Gun: Editor's Notes

Excerpt from
Son of a Gun
by
Marty Ann Halverson

After Ruby and the babies were sleeping in the wagon under a
mountain of quilts, Leo found Turk hunkered down before the fire smoking a
cigar. The light made plain the long, half-bitter lines of the man’s face, the
thin pressure around the lips.

Turk was near sixty, small, tough and wiry, showing the knocks of life.
He had ash-white hair and the steadiest brown eyes Leo had ever noticed in a
man. His language was colorful, with a southern twang, and, because Ruby
did, Leo trusted him instantly without reservation.

“Night-owling,” Turk said. “Nothing like a prairie sky on a winter
midnight.”

By day the cloudless skies had been gun-metal blue. By dark the
blazing stars were low, growing in size and whiteness until Leo could hardly
believe they were real. The frosty stillness carried a coyote’s bark so clear and
sharp that it made the short hairs on the back of Leo’s neck rise up and shiver
him in a grand, fearful way.

Cigar finished, Turk asked, “When did you arrive in this wondrous
country, Mr. Barlow?”

“Back in 1850. People were flooding into Texas like a spring river then.
We got swept along.”

Leo harrowed the hard earth with his heel, sniffed a handful of dirt
and sifted it through his fingers. “My folks loved this land. Bet their muscle
and grit on it—dug mesquite sprouts for heat, watered the crops with sweat.
Started ranching soon after, gathering the wild cows and branding them for
our own. Texas longhorns—tough to eat and tough to handle.”

*****
My first critique:

"The section is the best information dump I've seen in a while! You gave us the info we needed, through a smokescreen! I wanted roast a marshmallow! Congratulations!"

(Yay! I've got a nice editor!)

I got my first edit back from my publisher and I'm thrilled! He was extremely kind, and there were more colorful lines telling me what I'd done right than what I'd done wrong. He made positive comments on my choice of details:

"Personally, I think July 1st is the best day to be born!"


he wrote off to the side when he saw JJ's birthday.

"I want this horse!"

when I described Big Red. He followed up with "Let's choose one name and be consistent! You've got Red, Autumn Red, Big Red, they're all fine. Pick just one—it's up to you—and stick with it." I didn't feel defensive at all! He's right.

I've worried this month, knowing my novel was getting such a thorough check up. What if I'd been a bad author, used her to inflict pain and boredom on unsuspecting wannabe fans. What if she needed surgical cutting to remove all the bland words I'd stuffed her with? I've heard of editors circling the most precious parts of a book and ordering the author to "Murder your darlings."

I've been dreading the day I got the manuscript back, bleeding red from every comma. But it was a total ego-boost to receive it! It was topped with a letter that said,

"As someone who is a big fan of westerns, I'd say you've done a great job with this book. Your story is engaging and exciting. Your readers will certainly be hooked!"

The pages were decorated with green highlighted questions and turquoise highlighted suggestions, brightening up a few gray strike-out sections. It was really fun to read through all his comments. I agreed with most of them immediately. Since I finished the novel in September, I feel like I've learned a lot about writing, and there's some tightening up of adverbs and gerunds that will improve the pace.

Other than a few repetitious statements, redundant words, etc. he didn't cut anything at all. He restructured a few sentences in minor ways, but I could see immediately that it read better. I'm delighted and excited to have a trained, experienced editor be complimentary about Son of a Gun pretty much the way she came out of my computer. (I trust my test readers, but I know you were too conscious of my feelings to be too critical.)

I'm feeling more confident about being a legitimate published novelist. It's mind-blowing!! I also feel better about being an editor. I do my job pretty much the way he does his. (Reading, studying and taking on-line courses pays off!)

I'll keep you posted on the publishing process. So far it's consisted of an email, two phone calls all in one week. Then a contract came in the mail and I sent it back signed. And since then I get a couple of emails a month that I respond to with little piddly things like "who do you want the book dedicated to?" "send your bio photo" "We'll have to edit your bio down twenty words." The manuscript came back this time by email, with very helpful and carefully worded instructions on how to make the changes and send it back without deleting it entirely.

Tate Publishing has been totally nice, supportive, true to the dates they promised. They all seem interested in me as a person and they act like they genuinely like the book!!! I'm happy and surprised at how fun the process is playing out.

It's your turn: TRY IT!
That book that's haunting you? It's not scary! Get started!


Thursday, February 24, 2011

Son of a Gun: Character Building

An excerpt from my novel:

Following the swollen stream, they passed through the lush timbered
basin onto the wide-open range. Spicy sage scented the late afternoon air,
mockingbirds whistled, and woodpeckers tapped, but Ruby didn’t notice her
surroundings. Finally she sighed and dropped her hands to the saddle horn.
The boy pulled up beside her. Without raising her voice, she said
gently, “JJ, I want to tell you about your name. Can we walk?”

A breeze lifted his dark blond bangs, and he resettled his hat, then
dismounted and took his mother’s reins to guide both horses.

“Your father was called Jack, Jack Smith actually.” She started from
the beginning. “I only knew him for one night. He was just passing through
Greenville and I was young and a little wild, like you, with a hankering to get
out and see the world, make a new start. Anyway, this tall, black-haired
cowboy flirted with me.” She paused, remembering. “Oh, he was quite the
sugar mouth, and he seemed so adventurous and bold . . .”

Ruby lifted the chestnut hair from the back of her neck, letting the
cool wind blow on her neck. She unwrapped her black ribbon bracelet and
tied her curls back in a ponytail, then arched the kinks out of her spine,
twisting her shoulders back to her son.

“He had a beautiful red mare, almost the same color as Cowlick is. She
was a hand taller than any other mount I’ve seen, sleek, well muscled, alert,
with a pure white mane and tail. He’d raised her from a foal, and he loved
her; he even talked to her, and he claimed she talked back. It took me two
seconds to fall in love, first with Big Red, and then with Jack Smith.”

JJ’s eyes were wide, tearless and unblinking, but his face was still soft
and mobile with boyhood, and his mouth worked against trembling.

“I thought if he liked me enough he’d take me with him,” Ruby
continued, “so I did what girls do when they want a man to like them. But he
didn’t like me enough. He was gone the next morning.” Her voice trailed off
for a moment before she went on. “So then, after a while, I had you.”

She looked at him to see if he understood what she’d just told him, and
when he wouldn’t meet her gaze she saw that he did.

“Did he ever know about me?” JJ asked. He couldn’t quite hide the
longing in his voice. Pine trees, dusky in the twilight sun, cast a shadow across
the boy’s face; frigid water bubbled in the stream, like the ice-cold answer she
had to give him.

“No, JJ. No, he didn’t.”

He plowed his toe into the damp brush edging the stream. A low bluff
surrounded by limestone boulders overlooked them, and shaded their path in
the early evening chill.

“Can we go home, now?” JJ asked.


Writing is like acting.
You pretend you are different people and see how they handle life.
It has given me insight.

It's your turn:
Imagine yourself in someone else's shoes, and write about it.



Thursday, November 18, 2010

Excerpt from Son of a Gun

The Barlow Boys

Ruby had always planned to tell JJ the truth about his father, and the truth about herself, but as the years went by it was easier to let him think he knew the truth. Besides, she’d never actually lied to him, although the lie was there, every time she said his name. Son of a Gun is the story of Jack Smith, a Texas cowboy, and Ruby, the beautiful farm girl who gave up her innocence to raise their son. And Leo, the man who discovered the truth about all of them.

Excerpt from Son of a Gun

Turk

Ruby maneuvered her belly around the wooden counter, avoiding the broom Turk was sweeping back and forth. “I can’t stay in Greenville, Turk. I’m an embarrassment to Ma. Folks cross the street so they don’t have to talk to me, and then cross it again so they can talk about me.” Wiping down the stove was the last of the kitchen chores.

“Once the baby comes, they’ll have a bit more tolerance,” Turk told her. “I’ve seen it happen. Right now you’re a fallen woman in their eyes, but afterwards you’ll be a novice in need of advice. Those old women will fall all over you in a matronly welcome, full of critique and opinions.”

“After the way they’ve cat-called and gossiped? They’re all hypocrites and frauds. I need to start over, make a life for us, find some man who’s as kindhearted as you to step in as this baby’s daddy.” Her blue eyes twinkled. “But I want him younger and with more hair.” Ruby untied her apron and flicked it at Turk, dusting his newly swept floor with a billow of flour.

“You find someone better’n me—someone who’s made a good name for hisself,” he told her.

“So, what’s your real name, Turk?” Ruby said.

“Ain’t you ever heard of courtesy, girl?” Turk asked, surprised.

“Laws, I was raised on courtesy! When I was a girl and a stranger showed up at our ranch, Ma always offered food. And my daddy gave him tobacco. In fact, he tacked a note to the door when we was gone that said, ‘Help yourself to grub—please feed the chickens.”

Turk smiled. “What if they was on the dodge from the law?”

“Most of ‘em probably was, but my folks allowed them their privacy. After one cowboy had finished his dinner I asked him what his name was. ‘Jones is the name,’ he said. As soon as he rode off, Ma laid into me for being so ill-mannered as to ask any man his name.”

“So why you askin’ me, if you know it’s an impoliteness?”

“Because you’re not a stranger—you’re a friend.”

The old man looked at Ruby fondly. “It’s ‘cause you’re a friend that I’ll keep it to ‘Turk.’ Don’t want you influenced by my past.”

“You think I’d judge? After all the mud I’m draggin’ through? Come on, how’d you turn into a cook? Just tell me that.” She got out a cigar and handed it to him. “Let’s set outside a bit,” she said, knowing he couldn’t resist a smoke and an audience at the same time.

“Seein’ as how you’re producing the grandchild I’ll never have, I’ll trust you with my history.” He carried the stool outside for Ruby, and sprawled himself on a deteriorating rocker that squawked when he sat. “From the time I was fifteen I was cow punching. Came up from the south and joined an outfit. But you can only be a cowboy for so long before your bones betray you,” Turk rubbed his back unconsciously.

“Something breaks or the arthritis sets in, and you can’t handle those thickheaded, panic-prone beeves any more.” He rocked back and puffed the cigar. “Then a man finds another career. Like cookin’ ‘em.”

Turk had been a top hand until his knees stopped bending backwards with every dip of the horse. He took over in the chuck wagon, where he was respected as a know-it-all and a considerable talker. He held that it did a man no good to be more brilliant than others unless he let them know about it, more or less endlessly.

“I ran foul of a bad man in some Abilene gambling house back when I was punchin.’ And the bad man, who had a record of having killed someone somewhere, attempted to take some sort of liberty with one of my bets. When I politely requested the bad man keep his hands off, the bad man became very angry and made some rude remarks. I walked out.”

“Don’t you take it all!” Ruby said. “Is this a lesson on forgiveness?”

“You ain’t heard the rest of the story. This same man hooked up with our outfit a couple a years later, and I recognized him right off. He didn’t take no account of me, being bearded now, and a mere cook. He was a bit of a braggart, telling the boys how dangerous and feared he was.”
Turk chewed on the wet stump of his cigar, remembering.

“Did any of the other cowboys know about Abilene?” Ruby asked.

“Yeh, they did. But cowboys are a private lot. They don’t share news that’s not theirs to share.

“Well, the bad man went on irritating the hands, and one night, a couple of weeks into the ride, he beat up on a boy who helped me with the chuck wagon. This particular boy was a mite slow, didn’t catch on quick, and was a bit too friendly in a child-like way. He smiled too much, eager to please. The cowboys liked him and put up with his gregarious manner. But he got in the rascal’s hair and he beat the kid— boy lost an eye.

“There was talk of stringing this devil up, or shooting him on the spot—he was a bad man, a killer. But cowboys are merely folks, just plain, every-day, bow-legged humans, not wanting trouble. They decided to let things ride til we got to town.

“Next morning there was a little ruckus, and somebody found him dead in his blanket. No bullet, no noose, no nothing, but dead as could be.”

Turk stopped talking, cracked his knuckles and stood up. He looked back at the dark sky as if he had finished his story.

“Well, tell me the end!” said Ruby. “What happened?”

“I poisoned him,” said Turk, burying the cigar stump with his toe. “That’s why I changed my name.” He chuckled silently and went back inside The Blue Belle.

Tuesday, September 14, 2010

What Will I Do After Tomorrow?


They're riding off into the sunset.

An excerpt from

Son of a Gun

by
Marty Halverson

They were a few miles from the fence line when Cowlick warned him of the storm. Her ears pricked and she twitched restlessly, jogging a crooked course while JJ looked for low ground and waited for the thunder. Lightning balls of electricity rolled over the prairie, and he had trouble controlling the petrified animal. Cold drops started before the thunder even stopped, and they hid out in a hollow littered with butterfly weed until the danger of lightning passed.

JJ thought he’d fall on his face before he got a fire started on the rain-pelted grass beside the stream. Too tired to make it to the pines where he’d have more shelter, he hobbled Cowlick under a tree and rigged his tarp as a lean-to for himself and the fire.

He pulled his boots off, propping them upside down on sticks in front of the fire, and then warmed his half-frozen feet. The aspen branches clashed in the wind, and cold rain ran down his back, but he sat there exhausted.

After a minute he dug out a can of beans, and leaned forward toward the coals to warm them. Water poured down from the crease of his sodden black Stetson, turning the fire to wet gray ashes. With the dismal despair of a boy whose present misfortune is past calculation, JJ stood up to retrieve extra matches from his saddlebag and felt his sock feet sinking in the mud. His tarp and blankets were soaked now, and he sank to the earth close to tears.

Ahead, a vague shadow appeared in the night’s blackness; the vaguest of shadows, at once defined by a whinny.

“Who’s that?” JJ called out.

The horse whinnied again. The night wind got colder and the rustling echoes from the nearby trees strengthened as the rain stopped. Squatted against the earth, JJ finally caught a silhouette of the horse against the pale-black sky, but saw no rider. Rising he clucked his tongue gently, stepping nearer the trees.

The horse moved toward Cowlick. “Steady—steady.” JJ moved close to the horse and caught hold of the bridle, his palm touching a hide that held only faint warmth. And then he felt a hand.

Sweat cracked through his forehead, running down his face with the rain from his hat. Scratching a match on his belt, he held up the light to see a body, slumped in the saddle. In that moment he recognized the derby hat and the waxen face that had belonged to Snake.





Thursday, September 2, 2010

The Write Idea

The Write Idea

This is where I've been living lately. A twilight zone where night and day blend into one, where breakfast is a banana, lunch is a cup of craisins, dinner is a smoothie and going to bed means waking up with your head against the computer.

I finished a manuscript of 234 pages this morning at 1:30 am. I felt like I'd squeezed the very end of the toothpaste tube, and there was just no more in there. The last 72 hours I've slept in short bursts of 4-5 hours, dreaming in metaphors, so by the time I burned my file to a disk, the words were swimming around on the screen free form. I just couldn't do the final, final stuff: margins, title font etc. and the last two chapters are really four and a half chapters, not divided up properly. Who cares anyway, I decided.

Dee took it to Kinko's at 5:30 am, and now I've got it, in the flesh. Hard copy. Today I hand it over for editing. It feels like taking my brand-new baby in for open heart surgery. I'll get it back, cut to shreds and bloody with red ink, wondering why its perfect little parts got taken out, and why some artificial bits have been wedged in.

And then I'll have a week to patch it back together, with invisible, dissolving stitches and hope it holds up. Then it's done. My first novel.

Writing a novel is very different from writing history, like I usually do. This book has turned out to be historical fiction because I just don't have it in me to make up stuff that didn't or couldn't have happened. It seems like a slap in the face to folks who actually lived through such times. So I've researched like crazy (I've read 37 books since April on subjects like The American West, Bordellos in the 19th Century, Everyday Life in the 1880's, Cowboy Slang, The Cowboy, Pioneer Women, Children in the Old West, etc.) I feel bad to abandon these good friends to the shelf after we've spent so much quality time together.

I've read fifteen western novels, and watched at least parts of a dozen western movies, just to get the jargon, the vocabulary and the mood. And I've also read eighteen books on how to write a novel, from Paragraph Practice, to Writing a Scene, to The Joy of Writing about Sex, to Revision and Editing, to Writing Emotions, to Creating Memorable Characters, and over a dozen more.

Now I want to write a book about the emotions of writing a book, a step-by-step of how not to write a book, and I want to re-write this book starting from scratch, but knowing everything I've learned from writing it. And I want to somehow serialize Son of a Gun on my blog. How could I do that??

But first I'm celebrating by editing a biography this weekend. I'll be slashing and re-arranging, releasing my tension by painting someone else's pages red.

I suddenly feel like an empty nester. After six months of long, intense days and nights, today I could have slept til noon. But I came sleep-walking back to my tidy desk at 5:30 this morning, just to see what was going on. I had to touch my fingers to the keyboard just to see what I had to say.

Is it weird to feel like this? Sad and lonely because my make-believe friends are moving on?
Now what shall I do with myself? Maybe I'll go back to bed.











Friday, August 27, 2010

Son of a Gun

Photo by Jay Dusard

These are my cowboy sons. I gave them life, doesn't that count?

To catch you up on what's been happening at Barlow Ranch lately. Ruby, our beautiful prostitute turned respectable by marrying Leo, and the handsome, forgiving hero, live on a cattle ranch in Texas where they are raising their sons JJ and MJ with the help of Turk, the grandfatherly cook (with a mysterious dastardly past.)

Jack is Ruby's old one-night stand (JJ's father) who ditched her. He's the bad boy she pines for, who was in a gunfight defending Ruby's reputation and we think he's dead (maybe or maybe not. We shall see.) Her old "boss" Sam was furious when she dropped out of the tricky business he runs in the saloon, and accepted the good life at her rich, new husband's ranch. Sam's out to destroy her.

The Barlows have had all sorts of adventures—a tornado, a grasshopper plague, fires, threats, a-near affair, etc. and many successes—a school, church, sawmill, growth of the herds, etc. All these have been exploited or ruined by Sam's men. Leo is a Quaker and will not turn to violence against these violent attacks. (Leo and I are working through his qualms for a satisfying surprise ending.)

That's a tiny synopsis so you'll understand this scene.

Last night Sam sent his cronies out to vandalize their property and put the Barlows in mortal danger. MJ was awakened by the bad guy's jingling spurs and looked outside to see them, under the moon (one's a Mexican who wears a long Indian blanket over his shoulder, belted by his buscadero rig of criss-crossed guns over his chest) smoking their cigar-eets, creeping around. Half asleep, MJ didn't know what he'd seen. The next morning at breakfast this scene unfolds:



Excerpt from

Son of a Gun

by
Marty Halverson

The kitchen was warm from the fire and there was a fine smell of bacon frying and coffee steaming. Eight-year-old MJ was a good eater and he leaned into his food, downing an egg and five strips of bacon, plus a couple of hotcakes. Dipping a sugar cube in her coffee, Ruby sucked its sweetness and dipped a couple more. “Here, Sugarmouths,” she said to her little boys, who loved this morning ritual.

MJ could not have presented a more appealing picture as a wide-eyed, wandering, barefoot boy. His beaming, slightly bucktoothed smile would have melted the heart of a limestone head marker. “I saw some ghosts in the yard last night,” he said matter-of-factly to his younger brother.

“Did not!” JJ scoffed, alarm mixed with suspicion. “You never!”

“Did so. They was scooting ‘mongst the trees, jingling, like their death chains was rattling. One of ‘em had a long, dark cape flowin’ around him, and their faces glowed, light flickering by their eye sockets.”

“Mama.” JJ interrupted her musings. “Are there such things as ha’nts?”

“Don’t know, JJ. Your pa believes in ghosts, he says. I wouldn’t want to meet up with one.”

Turk was just starting in on a chicken. He was at his story-telling best with feathers flying from his greasy hands.

“I remember when Bud Thompson’s face was plastered with his own brother’s brains. Horse stepped on his head.” He had the boys’ attention.

Ruby muffled a gag. “Turk! You say the most unappetizing things while you’re fixing a meal!”

“Bud went to bed that night, and a ghost came calling, all empty headed and bloody. ‘Give me back my brains . . . Give me back my brains!” He wiggled his gelatinous fingers in JJ’s petrified face, and laughed.

“Turk, was that true?” the boy asked.

“Truer than an outright lie,” the old timer answered.


****

Today I sat in my computer chair (Dee and I both use a special brand of Bum Glue that keeps us stuck to our seats for hours on end) from 8:30 to 10:30, then from 11:30 to 3:30, and then again from 4:00-9:30 and of course my 12:00 midnight to 2:00 a.m. shift when I do a little of this and a little of that, but at least 30 minutes of editing the ten pages I wrote today. I've never worked so hard at writing (I can feel my brain stretching, and my eyes straining and my back hunching over) but I've never had so much fun writing in my life. The hours fly by, and I forget to eat, to go to the bathroom, to get a drink . . . I get totally immersed in my make-believe world.

My deadline for the manuscript is September 1. Then Dee and I are swapping manuscripts for a week, and we'll both edit the very different 200 page tomes we've each (hopefully) finished. After the re-exchange, we'll then go back to our separate corners and weep quietly over all the red ink bleeding all over our masterpieces, and have a last week to make the corrections. And then . . . AND THEN . . . we're going to CELEBRATE!



How would you celebrate the grand conclusion to an impossible goal?
Fantasize and give us some ideas.